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    Everyday Mime (a short story)

    EVERYDAY MIME

    by Rodney Allen Johnson

    After hours of walking in the course of my second weeklong visit to New York in so many years, I may have thought I might be at least somewhat conversant about where I was going, where there was to go. And yet, I probably only had a nebulous notion at best. Even so, in the general scheme of things, that kind of familiarity really didn't matter that much to me. In the end, my path ends up being my path, and if I don't know what I'm yakking about, I keep quiet.

    Every now and then I rather enjoy being a bit disoriented in a new place, even if it were simply viewed from the perspective of adventure, exploration and discovery, especially if I'm walking on my own. Especially, I say, because roaming around by myself meant that there's nobody around to complain, about being lost, or about the somewhat efficient pace I usually stroll, etc. Naturally, of course, this also means that there was no one around to share in my adventurous explorations and discoveries. And although I didn't actually dwell on it until later, I realized I hadn't truly conversed with anyone for any amount of time all day. And although this sort of situation might have seemed awkward to many of my friends and acquaintances, it never seemed to distract me. Hiking the streets of Manhattan unaccompanied during a workday seemed to facilitate this silence by the hustle-bustle, matter-of-fact, mind-your-own-business attitude exuded from the many daily participants.

    At any rate, it was getting towards the end of a long day of sightseeing for me; and thus, my feet were talking and complaining to me and they weren't being terribly pleasant in tone. And so, my feet and I eventually found ourselves resting on a very crowded subway train. Amazingly enough, and I guess I must have just timed it right, I actually found someplace to sit down on the packed train.

    Once my feet were fairly comforted by having my weight taken off of them, my attention drifted toward the sounds emanating from a young boy with his mother sitting across the aisle from where I was seated. I wasn?t sure what language they were speaking, some sort of Eastern European dialect, I was guessing.

    The child was truly bored to tears, as expressed by his constant whining to his mother. I imagine there was some reason he threw his train pass on the floor. Perhaps it was now useless? In any event, I stared intently at the ticket for a moment before I picked it up and displayed it to the boy as if I were a magician about to do a card trick. I proceeded to fold the metro pass in half long ways. I then folded two of the corners toward the center after some struggling.

    After a short while, the discarded pass actually started to look like a miniature paper airplane. No small feat with a New York metro pass. These things are half paper, half plastic. So when one folds them, they aren?t likely to stay folded. Nonetheless, the boy watched me for a while with a mystified look on his face and then continued to whimper at his mother. At that moment, I floated the little plane across the aisle between two of the standing riders towards the boy, and then I hastily composed an obviously over-acted posture, making it appear as though I had been gazing out the window into the darkness for hours. Upon the sight of this, the boy's face lit up and he laughed boisterously. At once he tried to fling it back, finding out that throwing a paper airplane, especially one made of platicized paper, wasn?t quite as easy as it looked.

    At first he just lobbed it overhand, resembling a baseball pitcher, which made the little plane quickly spiral straight down to the floor in front of him as soon as it had left his hand. Unflappable, the giggling child picked it up and again tried to make it glide, as I had done, only with similar results as before.

    After three or four tries he got it to tumble across the car. Seeing this rather clumsy flight, I made a face of exaggerated mock disappointment as I picked up the improvised toy and demonstrated to him how I was tossing it, pinching the center fold of the pass, angling my wrist and flinging it, to some extent like a javelin, and not letting go until the last possible moment. Eyes wide, the observant boy caught on fast and soon he was gracefully sailing the little metro pass across the car as easily as I was.

    As his skill with launching the modest projectile improved, the closer to me it would land. Soon it was zooming it straight at me. One time, when the diminutive aircraft hit me in the shoulder, I hammed it up, feigning that I had been terribly wounded. The sight of this sent the youngster into fits of laughter and his mother also started to smile. She wasn?t sure what to make of all of this at first, but she seemed remarkably open for someone on a New York subway.

    Consequently, this little game continued back and forth for a while, as did the laughing. But I kept my composure, as if I was performing for the kid as a circus clown or a slapstick comedian.

    Once he threw the miniature jet, difficult as it was with it unfolding on every flight, over my head and it landed in back of me. I pretended not to notice where it had landed and persisted to look all over for it, under the seat, in other seats, etc. And between fits of laughter, the boy was trying to tell me where it was as he could plainly see it from where he was sitting. He made this evident by his incessant pointing at it, not with just his finger but his entire arm. I looked up at the ceiling in the direction he was pointing and shrugged my shoulders. He then tried to communicate verbally; only he didn?t know the English for what he was trying to say. His mother eventually interjected with the word ?back? or ?in back? or something like that and afterward, not to be to be too obnoxious, I finally found the plane after I heard the boy repeat the words a couple of times; a seemingly small reward for his jovial attempts at helpful communication. Unreserved, I threw it back at him again and the plane's arrival was once again greeted with giggling, smiles and laughter.

    I found myself becoming quite satisfied about the fact that, no matter how many times I did it, the boy would always go into hysterics every time I would fly the plane at him and then change my pose, attempting to blend in with the rest of the subway riders, minding my own business, acting as if I didn?t throw it.

    Eventually all of this came to an end as I glanced out the window and became aware that my stop had come up. Reluctantly, I stood up from my coveted seat (you'd understand if you had ever taken a subway ride during rush hour) and meandered through the crowd of standing riders toward the entrance to the car.

    I tried to wave to the boy, but I couldn't seem to get his attention as he hadn't noticed that I had left my seat. Evidently he was still enthralled by his new little toy. Yet his mother had noticed that I was leaving and prompted her child to wave back. As we said our non-verbal goodbyes, I become aware of the eyes of several other riders that we had apparently gotten the attention of, looking at us, and especially me as I was about to make my exit. It seems that we unknowingly had a small audience in the car. And from those slightly wide-eyed looks from the overall solemn faces that were nearly cracking small close-lipped smiles, I could see that the audience members were also saying their goodbyes.

    The train stopped, the doors opened and I filed out of the car with the many other commuters. As I passed through the turnstile and made my way up the narrow stairway to the street, I reflected on what had just transpired. It occurred to me that this interaction had been like many that I had had during that day. However, it seemed more of an improvised performance than simple eye contact in passing or making a face that expresses an "excuse me" when bumping into someone on a crowded street. And as I continued down the sidewalk bustling with people, most of them silent on their way home from work, I arrived at a sense of understanding and appreciation of the fact that in the face of all the connections that had become obvious and experiences that were shared on that subway car, I hadn?t spoken a word, nor uttered a sound, the entire time.



    26-Jan-05 06:26 PM:
    This is a short story I wrote based on a particular train ride in new York in the fall of 2003 while I was on my way to have dinner with Mariana Huston at this small Italian restaurant where there were opera singers from the local university on this tiny stage with a single piano player, a rather frail elderly woman who had to be helped to the piano, but once there she was entirely on fire, never missing a note, playing the dynamics (that went from loud to louder, fast to faster, and back again over every tune) gracefully and with ease. I remember telling Mariana this story when we walked her home that night. We had a great conversation about various topics tangential to literature, art, music, and politics from the 60s to the present. It was a cold night and a long walk but we didn't seem to mind. Sometime I'll have to dig out a map of New York to remember where it was exactly. I remember later that week I went to a second city improv sketch comedy class in the same general neighborhood that was challenging, frustrating, invigorating and a whole helluvalot of fun.


     

     


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